Brittany Kieler received an MFA with a Graduate Minor in Museum Studies from the University of Minnesota in 2018. Her work can be found in a number of collections across the country, including Special Collections at the University of Wisconsin-Milwaukee and the International Cryptozoology Museum in Portland, Maine. She has been an artist in residence at Duncan of Jordanstone College of Art & Design and has received fellowships for her research of the Nazca Lines in Peru, sheela na gigs in the United Kingdom, and reflexive curation in the United States.
Recent projects and exhibitions include Female Reader at The Porch Gallery (Minneapolis, MN), a one-night screening at Serial Box (Columbia, MO), and REAL VISIONS at the Katherine E. Nash Gallery. A coinciding zine to the latter is available through Printed Matter here.
Kieler has developed printmaking programming for various organizations, including a natural history intaglio workshop for the Minnesota Veterinary Historical Museum in 2018 and serving as the Education Manager at RedLine Milwaukee from 2012-2015. In 2016 she co-curated and produced (with AJ Nordhagen) SIGHTINGS; an exhibition, permanent online archive, and printmaking suite that includes 30 American artists. She has served as Instructor of Record in the Drawing, Painting, and Printmaking Area in the Department of Art at the University of Minnesota.
She is currently based in Minneapolis, where she is a member at Highpoint Center for Printmaking and serves as Gallery Archivist & Collections Manager at Interact Center for the Visual and Performing Arts.
More of her work can be found at http://www.brittanykieler.com.